Doo Wop - Vocal Harmonies rooted in Rhythm and Blues
Originated in the streets of American north-eastern cities, Doo-Wop was an African American Vocal style based in smooth harmonies. It was the closest rock genre to pop music in the 1950’s. Drawing its inspiration from the rhythm and blues cultures it became a music style of its own and was widely popular in the 50’s and 60’s.
Thinking about Doo Wop at the time, one had to think also about street corner youngsters, who formed into groups of 5 or 6 individual and who would harmonize to the sounds of doo-wop for the fun of it. These youngsters owed much of their music background to the teaching and music of the local black churches and as such were particularly adept at adapting to this new vocal genre. They brought fun and a carefree philosophy to music.
This carefree attitude made them ideal victims to unscrupulous agents and record companies’ contacts. Indeed label owners had no difficulty in convincing them that his his own name should be listed as the music composer rather than the musicians themselves as “his own name was already known” but deejays.
The young musicians were also made to agree that they would be paid by session instead of being paid by the number of records sold and signed agreements that permitted their agents and record companies to pay studio and promotional costs directly from their own royalties.
As if this was not sufficient, all rights to the original songs had to be given to the record companies and the musician managers was paid 50 pc of the musicians’ own royalties. They were further rip-offs such as the musician having to do major shows for free, going as far as having to pay to feature on TV shows.
As in most things related to greed, these companies who were for the most part smaller startups would have benefited from being honest with their artists as they themselves would not have felt so thoroughly cheated and might have gone on to produce even more wonderful music.
Popular groups from the doo wop era include
The Dubs who in 1957 released one of doo wop classics: “could this be magic”. A sweet and endearing ballad, it featured lead vocalist Richard Blandon.
The Dupees, one of the finest Italian doo wop made delightful doo wop harmonies, none more than the very successful “you belong to me” who had previously been recorded by Patty Page, Jo Stafford, Dean Martin and Joni James.
“Little Star” released in 1958 by a white doo wop group based in New Yord, The Elegants achieved notoriety and was top of both R&B and Pop charts! The Elegants were led by Vito Picone.
“In the Still of the Night” is another doo wop gem, released in 1954 by The Five Satins. Known as a true classic of this music genre, “In the Still of the Night” was created in the basement of a local church. Fred Harris was the leader of the group and actually had already been drafted by the army and was stationed in Japan when his song hit the charts.
Doo Wop was surpassed and its popularity at the time destroyed by the British Invasion, this very civilized and pacific take over of our popular culture of the time by British Rock and Roll groups. In spite of that, doo wop has endured into the hearts and souls many!
To this day Doo wop music is still a favorite for a large and international audience. Music lovers from as far as Japan, Germany, France and many more countries contribute in maintaining its popularity. Concerts and shows are held on a regular basis and continue to charm and enthrall their audience.
